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Ortelius died at Antwerp on July 4, 1598. It is significant, however, that both Europe and Southeast Asia received the most accurate rendition from Ortelius, whereas the outlines of South America remained very inadequately portrayed. We develop expertise, tools and policies to embrace digital change and encourage partnerships. Europeana empowers the cultural heritage sector in its digital transformation. He published the Theatrum Orbis Terrarum in Antwerp in 1570. He was a Flemish cartographer and geographer. Abraham Ortelius in 1572 was to the best of my knowledge the first map to show some of the towns and villages of Clydesdale. artefacts, simultaneously embodying the pagan past, local custom, and the artist’s own representational heritage (pp. Another cartographer that made use of sea monsters to represent nations was Abraham Ortelius (1527 1598). 6 William Camden to Abraham Ortelius, 4 August 1577, in Abrahami Ortelii. For the humanist cartographer Abraham Ortelius, Bruegel was not the best among painters, but nature among painters, which implies for the artist a creative ability akin to the divine maker. The work of Ortelius and his peers, notably Mercator, represent early attempts to reckon with Europe’s contact with the Americas and Asia and portray the world as it actually was. 136-8 John Considine, Dictionaries in Early Modern Europe: Lexicography and the Making of Heritage (Cambridge: Cambridge University Press, 2008), 170 and Angus Vine, In Defiance of Time: Antiquarian Writing in Early Modern.
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Nevertheless, by the late 16th century the flow of new geographical information from explorers, particularly in the New World, had rendered many of Ptolemy's observations obsolete.
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The coordinates provided by Ptolemy, from which world maps were constructed, helped to undermine the medieval academic outlook and put scholarly cartography on a more scientific basis. Around 15951596, the famous Antwerp cartographer Abraham Ortelius imagined a map of the imaginary island that Thomas More had described in this work Utopia. Medieval geography was defined by a split between the religious Scholastics, whose view of the world was highly abstract and shaped by theological constructs, and the practical activity of the Mediterranean chart makers, whose portolano charts provided detailed records of the coastlines actually visited and surveyed by mariners. Fontes Cartographici Orteliani: Das Theatrum Orbis Terrarum von Abraham Ortelius und seine Kartenquellen / Peter H. The Ptolemaic influence had itself marked an advance in academic cartography. In particular, Ortelius departed substantially from the standard work on the subject, Ptolemy’s Geography, a classical masterwork well out of date by the 16th century. Ortelius’s atlas was remarkably modern, not only because its maps were closer to modern conceptions but because of its uniform publishing format, critical selection from the existing mass of material, and rigorous scholarly citation of the authorities whose maps were used (87 in all).